FSN's Project Clinic
Other ears do for songs what most projects never get: a room of serious people paying attention and telling you what they see. The Project Clinic is that room for the other kind of work, the studio, the school, the festival, the collective, the tour, the app, the plan you've been carrying alone.
Every session has two halves. The first half hour is an exercise done by everyone on their own project. The rest is the clinic: participants each bring their project and one real question, and get forty minutes. Ten to lay it out, a structured round where the room asks before it advises, then ten minutes for the maker to respond and decide what to take.
The four weeks follow the Institute's arc:
Week 1 · The Story. Mission and vision language, using the memory and storytelling prompts we ran at Watershed. The clinic that follows asks the oldest questions: what is this, who is it for, and why does it need to exist.
Week 2 · The Plan. The X-Page Business Plan, a free-writing exercise on where the project has been and where it's going, shaped into one page: model, roles, what you need this year, what success looks like in three. Clinic questions turn to structure and sustainability.
Week 3 · The Money. Funding and Resources 101, in the spirit of the Candid session: mapping foundations, public programs, residencies, commissions, in-kind support, earned revenue, and the partnerships that behave like funding, for each participant's actual project and country. Then the one-on-one funding brainstorm format from the Institute, done in pairs. A guest from the funding side joins the clinic.
Week 4 · The Room. A Collider. Each participant presents their project in five minutes to an invited audience of artists, organizers, and supporters, then takes questions. The way the Institute ended, and the moment most fellows said the project became real.
Between sessions, short assignments (your page, your resource list, your five minutes) and optional office hours. Everyone presents in the clinic at least once and at the Collider.
Process: an Institute exercise each week, then facilitated peer critique in a fixed format; guest funder in week 3; public presentation in week 4.
Output: mission and vision language, a one-page plan, a funder and resource map for your project, a five-minute pitch delivered to a real audience, and a room of people building the same kind of thing.
Four sessions over four weeks, two hours each. Small cohort.
See more info below ▾Instructor Statement▾
The OneBeat Institute brought ten people to a farmhouse for a week and then to Brooklyn for three days of meetings with funders, archivists, and studio owners. The exercises mattered, but what participants kept telling us was that the useful part was other people asking honest questions about real plans. This is that room, with the exercises still in it, open to anyone in the network with a project.
Course Outline▾
#
Sessions / Topics
Date
Time
FAQs▾
What counts as a project?
Anything you're building that isn't a single piece of music: an organization, a space, an event, a program, an archive, a product, a career move. The Institute fellows brought a percussion school, a sound studio, a national music archive, a hip hop cultural center, and a learning app.
What stage should I be at?
You've started something, or you've decided to. The exercises work at any stage; the clinic works best on problems still open.
I mainly want help with fundraising. Is this the right class?
Week 3 is a full funding session with a guest funder, and funding questions are welcome in every clinic slot.
Do I have to present?
Yes, once in a clinic slot and once at the Collider. Listening is not the lesser role, but everyone takes both.
Is the Collider public?
Invited audience: alumni, partners, a few funders and organizers. About the size of the Institute's, around fifty people, online.
Will it be recorded?
The exercises and clinics are not. The Collider is, and you'll get your five minutes as a file to use however you like.